Digitalism (band)

Digitalism are a German electronic music duo formed in Hamburg in 2004, consisting of Jens "Jence" Moelle and İsmail "Isi" Tüfekçi. The duo are signed to French label Kitsuné, as well as Virgin Records and Astralwerks in other parts of the world.

Digitalism have remixed tracks for The Presets, Tom Vek, The Futureheads, Daft Punk, Tiga, Klaxons, The White Stripes, Monk, Depeche Mode, Cut Copy and many others, including a re-edit of "Fire in Cairo" by The Cure (entitled "Digitalism in Cairo"). Their tracks and remixes are played by DJs such as Erol Alkan, Soulwax, Boys Noize and Justice.

Digitalism have made appearances at festivals such as Coachella, Lollapalooza, South by Southwest, Rhythm and Vines, Electric Picnic and Ultra Music Festival as well as various clubs worldwide.

Moelle has two solo releases on Kitsuné; "I Ragazzi Del 1982" as Palermo Disko Machine and "Wired" as Jence. He has since released "Vesuvia/Theme of Palermo Disko Machine" as Palermo Disko Machine on Vulture Music.

+/- (band)

+/-, or Plus/Minus, is an American indietronic band formed in 2001. The band makes use of both electronic and traditional instruments, and has sought to use electronics to recreate traditional indie rock song forms and instrumental structures. The group has released two albums on each of the American indie labels Teenbeat Records and Absolutely Kosher, and their track "All I do" was prominently featured in the soundtrack for the major film Wicker Park. The group has developed a devoted following in Japan and Taiwan, and has toured there frequently. Although many artists append bonus tracks onto the end of Japanese album releases to discourage purchasers from buying cheaper US import versions, the overseas versions of +/- albums are usually quite different from the US versions - tracklists can be rearranged, artwork with noticeable changes is used, and tracks from the US version can be replaced as well as augmented by bonus tracks.

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Bando (disambiguation)

Digitality

Digitality (aka digitalism) is used to mean the condition of living in a digital culture, derived from Nicholas Negroponte's book Being Digital in analogy with modernity and post-modernity.

Aspects of digitality include near continuous contact with other people through cell phones, near instantaneous look up of information through the World Wide Web, the third wave information storage where any fragment in a text can be searched and used for categorization, such as through search engine Google, and communicating through weblogs and email. Some of the negative aspects of digitality include computer viruses, loss of anonymity and spam.

In the 1990s, scholarship of the effects of interactivity with information began to be written and published, particularly focused on the immediacy and ubiquity of digital communications, the interactivity and participatory nature of digital media, and the role of "shallow" information searches. While in the tradition of Postmodernism in that they presume a decisive role for media in the formation of personality, culture and social order, they differ fundamentally from the analog critical theory, in that the audience has the ability to do more than create a personal idiolectic text, but instead is able to create new texts which reinforce the behavior of other participants.